George Frideric Handel was one of those rare composers who excelled in works sacred and secular， instrumental and operatic， leaving us extraordinary masterpieces in every field of music. Already renowned in Italy， Handel made himself known in London with Rinaldo in 1711， which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades， Rinaldo is a lavish spectacle that tells a story of love， magic， struggles for power and ultimate reconciliation. Pier Luigi Pizzis acclaimed production brings us into a dreamlike， unreal... world of spells and incantations. (Epoca). This production by Pier Luigi Pizzi， conceived in 1985 for Teatro Romolo Valli in Reggio Emilia， has traveled since to some twenty major opera houses worldwide. Discounting practical cuts and a few displacements of musical numbers， its durable attraction lies in the gorgeous costumes and scenery， a stylish paragon of Hyperbaroque eschewing both literalism and cheap provocation. It is performed at Maggio Musicale Fiorentino， which was the first theatre to reopen after lockdown. The set design and direction perfectly respond to the current safety measures.こちらのＤＶＤは輸入盤ＤＶＤです。リージョン＝フリーのＤＶＤプレイヤーでない場合、再生できない可能性があります。リージョン＝フリーのＤＶＤプレイヤーはこちらでご案内しております。種別：DIGITAL VIDEO DISCジャンル：Classical Artists発売日：2021/5/21ディスク枚数：1コメント：George Frideric Handel was one of those rare composers who excelled in works sacred and secular， instrumental and operatic， leaving us extraordinary masterpieces in every field of music. Already renowned in Italy， Handel made himself known in London with Rinaldo in 1711， which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades， Rinaldo is a lavish spectacle that tells a story of love， magic， struggles for power and ultimate reconciliation. Pier Luigi Pizzis acclaimed production brings us into a dreamlike， unreal... world of spells and incantations. (Epoca). This production by Pier Luigi Pizzi， conceived in 1985 for Teatro Romolo Valli in Reggio Emilia， has traveled since to some twenty major opera houses worldwide. Discounting practical cuts and a few displacements of musical numbers， its durable attraction lies in the gorgeous costumes and scenery， a stylish paragon of Hyperbaroque eschewing both literalism and cheap provocation. It is performed at Maggio Musicale Fiorentino， which was the first theatre to reopen after lockdown. The set design and direction perfectly respond to the current safety measures.